Summer/Fall 2015 On the Road!

Classes on The Road!

Teaching is one of the most gratifying things I do as an artist.  I love my students! Helping a student realize their goals, dreams, and potential is exciting and fulfilling to me. Whether it's a technical challenge or a concept development issue, I love the the actions of problem solving and overcoming hurdles. Sharing the laughter and support of fellow students during the process, well it just can't be beat! Catch one of my classes in my home studio outside of San Antonio, TX, or jump into one of my classes on the road!

July 18 - 19, 2015 - Jen-Ken Kilns, Lakeland, FL. - Hot Stuff - Harnessing Flow in Your Kiln

Aug. 21, 2015 - BeadFest, Philadelphia, PA. - Metal Clay 960; Lentil Beads with Stones

Aug. 22, 2015 - BeadFest, Philadelphia, PA. - Metal Clay Pendants with Vintage China

Oct. 30 - Nov. 1 - SiNaCa Studios, Fort Worth, Texas - Sculptural Glass with Imagery

Nov. 6 - 8, 2015 - Milkweed Arts, Phoenix Arizona - Sculptural Glass with Imagery

Hot Stuff - Harnessing Flow in Your Kiln

In this fast paced 2-day workshop students will learn the secrets to creating the elusive progressive pattern bar and spectacular pot and screen melts! We'll even learn the set ups for beautiful vitrograph cane! All these exciting techniques create fantastic components for use in sculptural and functional glasswork. Each student will use their choice of centerpiece components to create a gorgeous cheese tray using the new Patty Gray Dam Mold. Students will gain the knowledge of set up and layout of pattern bars, pot melts, and screen melts in the kiln, firing schedules and kiln programming, building dams, pulling vitrograph cane, cutting cane, and more. Be prepared for FUN! We'll be setting up and running kilns, prepping molds, using tile saws, lap wheels, grinders, the sandblaster, and pulling hot glass from the kilns! Students; Please wear closed toe shoes, bring a 100% cotton long sleeved shirt, & safety glasses. Some glass fusing experience is required.

Metal Clay 960; Lentil Beads with Stones

PMC 960 Sterling Silver is an exciting medium that allows you to produce quality, detailed hollow designs in sterling silver without the mess or equipment required for traditional jewelry casting. Beginners will love the ability to create personalized, one-of-a-kind lentil focal beads that they can wear alone on a chain, or add to their favorite beaded designs. In just one day students will create enviable heirloom quality silver pendants that work with any style.

Metal Clay Pendants with Vintage China

Jump into Bezel Setting in Metal Clay! This workshop will introduce you to the exciting world of setting inclusions Metal Clay. We will work with PMC 3 and fine silver bezel wire, to add beautiful vintage china shards and make pendants that are truly romantic, art deco, Asian and more! Don't miss this hybrid approach to new techniques in soldering on metal clay that will open the door to loads of new possibilities in jewelry making.

Sculptural Glass with Imagery

Take your fused glass beyond the bowl! It’s time to create light catching sculpture communicates. It doesn’t matter if you’re going for a loose abstract design or a photographic image, you’ll learn how to make it happen in this exciting new workshop! Each new skill and technique can be applied to small work as well as larger projects, making this a “don’t miss” class. The focus of this workshop is on the development and printing of images in tall, transparent, slab sculptures. Students will learn screen-printing, powder applications, and direct painting techniques to apply their imagery to multiple layers of glass. The image layers will then be fired, stacked, and fired again to create tall thick slabs of transparent glass. The slabs will then be cut, ground, polished and mounted on steel bases. Students will become skilled at preparing personalized images, creating their own screens, painting and layering powders and enamels, and mastering the firing schedules that deliver success. In addition, students will experience effective kiln casting and cold working techniques. Each student will cut, grind and polish their pieces, and learn how to mount their base pieces. Fusing experience is necessary to participate, but advanced skills are not required to be successful!

BeadFest Santa Fe and More!! Can't Wait!

It's been a while since I've slowed down to blog. I'm forcing myself to buckle down this week! The studio has been going through some growing pains and we're adding new equipment and more space to the workshop area. We're excited, and sore!

Anyway, I'm thrilled to announce my new teaching schedule for next year will be posted on my site!
It includes January at the Fired Arts Academy at Jen-Ken Kilns, February at Sinaca Studios in Fort Worth, March at BeadFest Santa Fe, April in Las Vegas at the Glass Craft Expo, and May in London and Zurich at Creative Glass.

I'll still be doing my thing at Roadhouse Arts, just north of San Antonio! Come visit with me at any of my adventures!

Here are a few pix of the cool stuff I'll be sharing with my students:

Timing is Everything!

Somedays things come together, and somedays they don't. Today was a mix of the two. I finally got the glass pieces on their stands. They look great with the light coming through them. I'm glad to have them done. I am supposed to send a piece to a piece to the exhibition at the Art Museum of South Texas for am invitational show. I'm inclined to send this piece, but I think it might be too small to make a good impact. It is 7" x 11" x 1",  It did turn out great though!

Cross Examination - Front View

Cross Examination - Back View

This is a piece of mine that's still in progress. It's inspired by my wonderful Archie who loves me unconditionally. (Archie's a dog. Just in case you didn't know.) Archie is more grown up now, not so puppyish anymore, like this picture. Anyway, his sweetness infiltrates my heart and makes me melt.

I'm debating on how much of the top to take off. And/or if I should add any more painting to the piece. It's two overlaid screen prints with enamels and then hand painted. I'm also debating a stand so light can come through the water and back or framing it. Opinions from the gallery are appreciated.

In the Weeds - Still in Progress

This piece is called "The Script." The text in the door talks about how we're all given a script of the roles we should play and what happens when we choose not to follow that script.

The Script

Today, there was a disconnect with someone over what was written in "my script" vs "their script." I think had we just talked, instead of emailing, the scripts would have come together.  Maybe time will bring it all back where it should be. I guess we all have those misunderstandings on occasion. I'm bummed that if went so off track. Anyway, this piece was finished today and finally put on it's stand. I'm working hard on perspective and proportion in my glass pieces. It can be a challenge to get the sizes right and maintain a sense of depth. This piece is 7" x 11" x 1". Light pours through the piece.

Last, and maybe least.....

Flourish in the Box

This is a piece I did on February 8th. Lisa, Francesca and I actually got about 90 minutes to sit down and play. That almost never happens. We all painted and experimented. I don't know if this is good or junk, but I like the color. The human figure really speaks to me. I can hardly do a piece without one anymore. mostly it was great to just be in the studio experimenting with my pals by my side.

This Mixed Media piece is on Arches watercolor board with Inktense blocks and pencils.  One day I'll attempt this in glass. 

A Good Day

Today was one of those run a million errands days! First, 2 hours in the car to take Will to school and then swing by Francesca's house, pick her up and head back to the studio.

While I did KilnFrog.com work, Francesca set up for her Etching and Metal Printing workshop this weekend. She did a cool new set up and we tested lots of samples. This flapper girl is from a photo that I manipulated in Photoshop and then toner printer and heat burnished onto the copper. The details are really great for an etching.

Flapper Girl Etched on to 24 Gauge Copper Sheet

So, then after we etched, we hopped back into the car and headed to the NEISD offices to get fingerprinted, so we can teach on any of their campuses. We're now "in the system." Ha! They took photos and fingerprints and I didn't even do anything wrong.....YET! I'm glad that's over! Then, back in the car again for another hour. Too much car time today!

I'm getting ready for my Kiln Forming I class. It's 10 weeks of wonderful glass fusing, plates, bowls, jewelry, and more. I have 4 students, so we'll be able to get so much done! We start on Thursday and I can't wait!  It's been a while since I've really had the chance to sink my teeth into my glass work. The move has been tough and taken way too long, but I'm finally settled in and comfortable.

I'll post pictures as we go! Tomorrow, no errands! YAY!

Best 2 Days Ever!!!

Some days are just great! I consider myself lucky if I have 2 great ones in a row! This week it happened!

Thursday I had my "Metal Clay Girls" here! They came for the Silver Metal Clay with Vintage China workshop. We chose from English Florals, Asian, Graphic Black & White, or Delft china pieces. Then we ground them to our desired shape. Then we made and fired our pieces and then bezel set them into our pendants. Everyone did great and learned new and fun skills.  This can be a challenge because many of the beautiful china shards we chose to use were not flat, so it's harder to work around 3 dimensional pieces pieces. We had a ball! Can't wait for the next class with the metal clay brigade!

My demo pieces and Dee's piece!

Susan's piece in progress

Dee's piece polished and patinated

Caren's Pendant and Earring Set

In process

The next day....TODAY! Again, a perfect day! Today was the Freeform Silk Dying Workshop. We had so much fun! We did Ombre Dying of Silk Burnout scarves, as well as making our own stamps, and using Gutta (resist) and Color Magnet solutions. There were so many techniques in just one day....I'm kind of worn out! ....But in the best way! We had some students who were playing hookey from school, so they are not pictured! Don't want them to get busted!

Don't You love the Tribal Stamped piece?

This burn out scarf is a vibrant purple-ish blue with grey background!

Wonder what I'm gonna get?

Gorgeous!

Checking out the design!

Thanks to all my awesome students for making the last 2 days so wonderful!

A New Class! And New Exciting Toys!

I just wanted to let everyone know about a new class I've just added to my teaching schedule! I don't often teach night classes, but I've had so many requests for them, that I've added this one. 

Our New Front Door Sign! C'mon In!

Kiln Forming I

Learn the fundamental techniques required for functional fused glass art and sculpture. In this course students will be introduced to the working properties of glass including; compatibility, heating, design issues, and more. Students will work with sheet glass, rods, frit, stringer, enamels, and various inclusions to create a variety of projects. Students will gain knowledge of firing schedules and programming the kiln. Additionally, students will learn about cold working glass and related equipment. Student projects will include jewelry, plates, bowls, pendant lighting, glass wall prints, and cast glass sculptures.

In this course students will experience fusing, slumping, tack fusing, casting and weaving techniques. We’ll work with mold making techniques, drilling holes, and other cold working techniques to refine the work. We will also learn the basics of image transfer onto glass including; gel mediums, screen-printing with enamels, and so much more.

Here are the details:
The class will be 10 sessions and we'll cover A LOT! Workshop Fee $450, Materials Fee $175

Time: 6:30 pm - 9:30 pm 
Thursdays- 2/13, 2/20, 2/27, 3/13, 4/3, 4/10,4/17, 5/8Wednesday - 4/23Tuesday - 3/18

Here's the link to sign up for the fusing class. 

Link to Workshop Sign Up - Click Here

Link to Materials Kit Sign Up - Click Here

One of the links is the workshop, the other is the materials kit.

Looking forward to seeing you!  

Feel free to contact me with questions you might have!

I just wanted to share my excitement over my new toys! I ordered 3 new lap wheels in from Covington Engineering. They arrived a few weeks ago and I'm just getting around to hooking them up! Lisa and I are sharing an 18" wheel, and then I ordered a 12" wheel and a portable 8" wheel. Can't wait to use them!

The 12" Covington Lap wheel! I built a rolling stand for it so I can move it from place to place!

The 18" Covington Lap Wheel that Lisa and I are sharing!

I'm Back! A New Year, A New Studio, and New Classes!

Today is the "once in every 20 years" snow day in San Antonio, Texas, so we're all housebound and quiet. This is the perfect day to catch up on all of my procrastinated tasks... like my blog. So Happy New Year to all and I'll give you a quick update! This quick update has taken me 4 hours since I decided to revamp the blog too! I hope you like the new "me!"

It's been a hard six months but it's really been worth it.  In the Fall of 2013 I announced that Stacey and I were closing Wired Designs Studios. It was "decision time" on renewing our lease and we just weren't feeling the love to continue for another 3 years. Although I love teaching and creating, the retail store part of the business was extremely time consuming and after 12 years, a giant snooze fest that is just not much fun. Although we were still making a profit, sometimes the choice is just not about money. My 45 minute commute was kind of a drag, and then when I got to the shop I spent way too much time on the computer entering inventory, paying vendor bills, paying contractors, managing sales tax, etc. My job became less about the art and the students, and more about the "stuff" on the wall and the need to count it, sell it, and replenish it once it sold. It began to feel like I was going in the wrong direction. 

A few years ago I decided to go to Graduate school to get my Masters in Art Education, thinking that it would give me the art satisfaction that I craved. It did, but it just wasn't enough to keep me interested in being a "shop keep." I really missed being free to create when I felt the urge.  I longed for the freedom to teach what I love and what my students needed. And ever since we moved from the old Alley location, I missed having the Gallery and working to promote other artists.

Luckily, I have wonderful friends who were watching me struggle with these issues and with my choice to close the shop. So many of them encouraged me to follow my heart and to teach and create what I want. With their support I found the courage to try something new. 

Thank you: Lisa, Francesca, Nicole, Heidy, Rene, Cathy, Stacey, Stacy, Iris, Julie, Sherry

Thank You: Mike, Mike, Randy, Cynthia, Teri, Kelly, Devon, Scott, Kimberly

Thank You: Ed, John, Nick, Lance, Aaron, Ron, Charlie 

So......after much struggle, moving, tears, attitude adjustment, blood, sweat, and tears, I opened a new studio and gallery space with two fellow artist/adventurers; Lisa Meyer & Francesca Watson. Their  creative talents and generosity of spirit constantly amaze me. I love working with them. They are smart, hard working, and have made me able shed some of my armor! Thanks Girls!

Here are some of the pictures of the new place in no particular order!

We have a grand opening celebration on February 7th at 6:30 pm. I hope you'll all be there!